Football Analogue Experiment

I have managed to blag myself a temporary press pass to shoot a football game at Brighton & Hove Albion’s ground, The Amex. It has taken quite a few emails, proof of work, a friend who works for the club and £2m professional indemnity insurance to allow them to let me shoot a game. That’s not the end of the hoops as the club have had to apply for a temporary license for me as the image rights are all owned by presumably sky and the club.

I am really excited for this opportunity. I am an amateur photographer so money is not something that drives me. Its projects like this that keeps me interested.

The game I am shooting will be a Tuesday night game so I will be shooting using artificial lights. I am limited by a number of factors. Sports these days are shot entirely on digital with massive fast lenses.

The equipment I will be using will be my Olympus OM1, I have a 50mm lens on it which won’t be suitable for this so I have purchased a 135mm F3.5 zuiko lens from ebay. Ideally I would be using a F2.8 but the price rise is drastic. I will also be using a Lubitel 166 and a Zenit E.

This was taken on my Olympus OM1 using expired 200 kodal gold film. You can see the lights worked well and the position of a photographer. No problem for a digital long lens but still a hefty range for my 135mm lens.

As the distances my cameras can reach are minimal a lot of this will come down to luck, right place right time. All I can do is make sure I have done my homework and selected the right equipment to use.

I will have the Olympus mounted on a tripod , the zenit E for a hopeful goal celebration right in front of me and the lubitel for crowd reactions.

What I am struggling with is what film to use. This is really important. I do not want to match or replicate digital photos. It has to have that analogue feel to it. It needs to be a fast speed for film. Maybe I should use black and white rather than colour? I am considering using Portra 800 as this should be fast enough to cope with the artificial lighting.

I tweeted Ilford and they said “The HP5+ left at 400 will give you the most leeway with your exposure, push to 800 if floodlit”

I also tweeted my UK analogue crew. Check these guys out, they regularly produce work I can only hope to achieve one day

@IainKendall “B&W. delta 400 would have fine grain…but I love the Delta range.”

@sibokku hp5plus 400 pushed to 800/1600. When dev’d properly it should look nice but a wee bit grainy

@AdamBronkhorst something fast. If your shooting black and white, go for a fuji 1600, if your shooting colour go for as fast as you can get,

@RobOrchard   or there’s Kodak portra 800, too. I’ve still got some FujiPro 800 in the fridge that I’m saving for a rainy day.

So anyone want to recommend anything? Any tips before I go? I have not shot sports before and have read various websites. I am limited in the equipment I have, the quickness of the camera, the amount of shots I can take before reloading, my skill and knowledge and to cap all that it may be a dull game and nothing of interest happens!

There is a lot that could go wrong but likewise this could be a great experiment.

 

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